From the small town of Huntly in Aberdeenshire to the shimmering passageways of Venice, artist Anthony Schrag embarked on a pilgrimage in 2015 to explore the importance of one of the world’s most prestigious visual arts festivals, the Venice Biennale.
Solar Bear’s co-production with Company Chordelia of Lady Macbeth: Unsex Me Here was a unique production in many ways - working with both D/deaf and hearing performers, seamlessly weaving British Sign Language into the choreography of the dance/theatre piece, it aimed to allow D/deaf audience members to have a similar (...)
2015/16 was a transformational year for The Dennis and Debbie Club - the Glasgow-based duo of digital artists Dennis R. and Debbie M who work with open-source software, creating CGI animations, video installations and virtual reality (VR) apps.
The Turner Prize came to Scotland for the first time in 2015 – with the work of the shortlisted artists shown at Glasgow’s Tramway from September 2015 to January 2016.
We catch up with Glasgow Women's Library's Katie Reid to find out more about the organisation and what they've got lined up for 2016, including their new 'irregular evening' Herland.
The Clore Fellowship is a programme of leadership development for people across the cultural sector. Applications to the 2016/17 Fellowships are open until February 12 2016. We hear from Clore Fellow Claire Dow on why you should apply.
On International Day of Disabled People 2015 we highlight some of the energy, innovation, and drive of disabled artists and the wider inclusive arts sector in Scotland.
The consortium creates dynamic projected installations for musical and cultural performances, and last year was one of the winners of the Collaboration Prize.
We spoke to Glen Art founder Fiona MacDonald about their projects and artistic events designed to help those from a military background return to civilian life.
